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・ Emilia (telenovela)
・ Emilia Andersson
・ Emilia Appelqvist
・ Emilia Aylmer Blake
・ Emilia Bayer
・ Emilia Boncodin
・ Emilia Broomé
・ Emilia Butler, Countess of Ossory
・ Emilia Cano
・ Emilia Casanova de Villaverde
・ Emilia Castro de Barish
・ Emilia Chopin
・ Emilia Clarke
・ Emilia de Poret
・ Emilia di Girolamo
Emilia di Liverpool
・ Emilia Dragieva
・ Emilia Eberle
・ Emilia Fahlin
・ Emilia Fogelklou
・ Emilia fosbergii
・ Emilia Fox
・ Emilia Galotti
・ Emilia Galotti (film)
・ Emilia Goggi
・ Emilia Golightly
・ Emilia Gubitosi
・ Emilia Guiú
・ Emilia Gómez Bravo
・ Emilia Hazelip


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Emilia di Liverpool : ウィキペディア英語版
Emilia di Liverpool
''Emilia di Liverpool'' (''Emilia of Liverpool''; also given as ''L'eremitaggio di Liverpool''〔Ashbrook 1982, p. 538.〕) is a ''dramma semiseria'', ("half-serious") dramatic opera, in two acts with music by Gaetano Donizetti. Giuseppe Checcherini wrote the Italian libretto after the anonymous libretto for Vittorio Trento's ''Emilia di Laverpaut'', itself based on Stefano Scatizzi's play of the same name. It premiered on 28 July 1824 at the Teatro Nuovo in Naples.
==Composition history==
The libretto had a complex history. The original story by Scatizzi formed the basis of the first, anonymous libretto of 1824, which had the title of ''Emilia di Liverpool''. This first libretto included the introduction of the Count, a Neapolitan character, as comic relief per the theatrical tradition of the Teatro Nuovo. The changes to the cast of characters caused confusion among the relationships of the characters and ran contrary to the structure of the original play. The libretto revisions by Ceccherini, circa 1828, removed much of the material of the 1824 version, with further revisions to the characters, but maintaining the plot chronology of the 1824 version. The 1828 revision, known as ''L'eremitaggio di Liverpool'' (''The Hermitage of Liverpool''), also reduced the amount of spoken dialogue.〔Commons, Jeremy July 1959, ''Emilia di Liverpool'', ''Music & Letters'', 40(3): pp. 207-228.〕

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